Club opens at 7pm. Show at 9pm. Call 212-255-4544 for a dinner reservation.
Angela Perley’s been writing tragic love songs rooted in folk, cosmic country and indie rock for over a decade now, and it all started with The Howlin’ Moons, an American rock band from Columbus, Ohio. Perley began making demos in college, dressing them up in brown paper bags (CD sleeves with personalized artwork and a decorative track list on the flip-side). Soon enough, Perley’s demos were heard by Fred Blitzer, CEO of Vital Companies, who arranged for Perley to meet and begin working with Columbus-based musicians Chris Connor and Billy Zehnal.
In quick succession, Angela Perley & The Howlin’ Moons found themselves performing at Nelsonville Music Festival alongside acts like The Flaming Lips, St. Vincent, Randy Newman, Merle Haggard and Gillian Welch. Since then Perley has opened for Willie Nelson, Lucinda Williams, Tyler Childers, O.A.R. and Blues Traveller and has shared bills with The Avett Brothers, Alison Krauss, Old Crow Medicine Show, Dawes and Colter Wall.
All of this has led up to Perley’s forthcoming LP, 4:30 (out Aug. 2), her first solo effort which she co-produced with longtime guitarist and collaborator, Chris Connor. During the final phase of production, she called on Michael Landolt (Maroon 5, O.A.R.) to mix the record and Dave Collins (D’Angelo, Bruce Springsteen) for mastering. Her third full-length record illustrates the songwriter’s knack for deft storytelling, warm vocal layers and disarming melodies that beget personal growth and mobility, surging from raw and far-sighted pathos. Robbie Crowell (Deer Tick, Diamond Rugs) contributes Hammond organ, Wurlitzer and Piano, adding crucial texture to the album, a la Al Kooper (Highway 61 / Blonde on Blonde era). Chris Connor’s guitar parts and song arrangements provide a lush and expansive soundtrack for Perley’s songs with touches of psychedelic delays and smoky tremolos to compliment her sonorous vocals.
Perley's character-driven love songs on 4:30 are surreal in their ability to master genre-fluidity, with forthright storytelling, wry lyricism and a host of dreamy instrumentation. Colorful acoustic and electric pianos, rich and elegant strings (i.e. “Don’t Look Back Mary”), breezy organ and punctual pedal steel (i.e. “Snake Charmer”), along with soft and sweet folk and pop melodies reminiscent of Patsy Cline and Jenny Lewis (i.e. “Local Heroes” & “4:30”) pervade the record. Perley is a self-taught guitarist, gravitating toward folk giants and personal heroes such as Bob Dylan and Neil Young. “I taught myself a couple chords on guitar and then that was it. I was really into solo performances at first, and told myself, ‘Okay, I can do this,’” says Perley. Other early influences include Lucinda Williams, Patti Smith, and David Bowie.
Perley’s music is replete with realism and her methods of storytelling are deep and refreshing. This combination reveals an uncanny ability to finesse characters and poetry out of real life events, culling from important figures in her life with an effortless, stream-of-consciousness zeal. “Being realistic but also never giving up your sense of wonder about the world of art and music has been paramount to my growth as a songwriter,” says Perley.
4:30 a.m. also happens to be Perley's bedtime. “4:30 is when my body’s natural sleep cycle begins so if I’m not on a schedule I tend to stay up until then," says Perley. "My creative time begins as soon as the sun goes down. I'm definitely a night owl. I don't know what it is... but there's something special about it. It's dark outside, and it's quiet.”
"The set’s 12 songs run the gamut from psychedelic garage rock to melodic pop and heartfelt country and Americana, while the lyrics reflect what Perley calls ‘more of an existential kind of thing, an internal, searching theme.’ Indeed, ‘Let Go’ fits that mold."— Billboard
"Perley hails from Columbus, Ohio and has been steadily breaking hearts and winning fans nationwide; one dusty tavern, town hall, and occasional arena gig at a time."— PopDose
"Gorgeous in composition ... sprinkled high hats when combined with a sliding guitar riff create this illusion of an expansive horizon."— Stereogum
"Angela Perley has been gigging nonstop with her band The Howlin’ Moons since they released their debut album in 2014, laying down an interesting mix of folk, Americana, and ’60s-tinged psychedelic rock that floats seamlessly between Bob Dylan and Procol Harum, sometimes within the same song."— No Depression
Angela PerleySaturday, February 22, 2020